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Explore / Instruments / Sarod

Play it yourself

Sarod

A sarod has no frets, only a smooth steel plate. Press it anywhere and strike with the java; keep your finger down and slide, and the note glides with you.

open ‘Sa’263 Hz Nothing playing yet. Press the steel plate or tap Strike. Eight notes are recorded from a performance by Uma Guha. Six of them also sit on the steel plate; low Pa and low Ni do not. Any other pitch is pitch-shifted in your browser.

Eight notes from one performance: Uma Guha playing Raga Sri, 1995, each cut from a single stroke. In this recording her komal ‘Dha’ comes only inside slides, and her middle ‘Ni’ only struck together with upper ‘Sa’, so they are left out rather than faked. The dots show where each note would sit on the string; the recording does not show which string she used.

A Maihar-style sarod lying slightly diagonal in its playing position: a round teak bowl with a cream goatskin belly, a bone bridge standing on the skin, a curved brass string holder at the end, a tapering mirror-polished steel fingerboard with no frets and a row of fifteen small eyelets, fifteen sympathetic-string pegs in two rows and two chikari pegs along the upper edge of the neck, eight carved main pegs on the pegbox, a brass resonator bowl behind the pegbox, and a coconut-shell plectrum resting on the skin. Our recordings stop here

Play on the steel plate · tap any other part to look inside

Press and slide Strike here

The vibrating stretch: motion slowed more than a hundred times.Drawing: a Maihar-style sarod with 25 strings, modelled on photos; not Uma Guha’s own instrument.

Turned upright to fit your phone. Players hold the sarod nearly level across the lap.

Gold: her recorded notes. Hollow: notes with no clean single stroke in her recording, pitch-shifted from her nearest note.

Each mark is where that note would sit on the ‘Sa’ string. Positions drawn for an ideal string; the recording does not show which string she used.

The vibrating stretch: motion slowed more than a hundred times.

Drawing: a Maihar-style sarod with 25 strings, modelled on photos; not Uma Guha’s own instrument.

Left and Right arrows move to the previous or next marked note. Hold Shift with an arrow to slide. Space strikes. 0 lifts your finger for the open string.

Your line

your fingerher slide, measured

The pitch your finger sets over the last 4 seconds (worked out from the nail’s position). Her slide appears in gold when you play it; hers is measured from the recording.

Try these

  1. Strike the open string: that is ‘Sa’.
  2. Find ‘Pa’, about a third of the way from the nut to the bridge.
  3. Strike ‘Ga’, keep your finger down and slide toward the nut to komal ‘Re’. Then hear her do it.
  4. Turn on the frets and try the same slide.
  5. Strike ‘Sa’ and slide all the way to ‘Pa’. Amjad Ali Khan says a sarod player can slide over seven notes or more. Her recorded slides are shorter, and the further you slide here, the further the recording is shifted, so a long slide sounds thinner than hers would.

Hear Uma Guha play it

Questions

Sources

    Recording: “Raga Sri (a Twilight Raga)” by Uma Guha (sarod; recorded by Deb Roy), Internet Archive, CC BY 4.0 (official upload: archive.org/details/RTFM-Fair). Cut into notes and short passages, filtered to remove traffic rumble, loudness evened out; slowed copies prepared with Rubber Band where marked; pitch-shifted in your browser where marked. Clips used here: ‘Sa’ at 0:09, komal ‘Re’ at 0:04, ‘Ga’ at 2:35, tivra ‘Ma’ at 2:42, ‘Pa’ at 4:48, upper komal ‘Re’ at 5:31, upper ‘Sa’ at 5:34, a 16-second passage at 2:32 (her slide is its last 1.7 s), fast strokes at 10:50, a stroke with other strings ringing on at 4:55, and two of her slides slowed to half speed (from 2:39 and 2:46).

    Drawing modelled on photos by Allauddin (CC BY-SA 3.0), Ramesh lalwani (CC BY-SA 4.0), Jean-Pierre Dalbéra (CC BY 2.0), Tim Regan (CC BY 2.0), Notnarayan (CC BY-SA 3.0), Alexkom000 (CC BY 4.0), Bhnupur (CC BY-SA 4.0), Daderot (CC0), The Metropolitan Museum of Art (CC0) and a public-domain photo of Ali Akbar Khan, on Wikimedia Commons, and on the Grinnell College Musical Instrument Collection’s description of a sarod. Also used: a photo of a java by Notnarayan (CC BY-SA 3.0), a second sarod photographed by Jean-Pierre Dalbéra (CC BY 2.0) and a second view of the Met’s sarod (CC0).

    Recording: “sarod riff1.aif” by bluedotproductions, Freesound, CC0 1.0: a different sarod and player, used in “How long a note lasts”. Trimmed and filtered.

    Inside the sarod

    Tap a part

      How the sound is made

      From the java to the ring

      Step 1

      Strike

      skin strings Da: the strong stroke Ra: the lighter return stroke one end wrapped in waxed cloth, held by two fingers and the thumb java

      Sources

      Step 2

      Stop and slide

      halfway: an octave up slide: the pitch glides this part vibrates bridge nut

      Sources

      Step 3

      Skin

      string bridge skin hollow bowl Not to scale.

      Sources

      At least one sarod has been built with a wooden top instead of a skin, but we found no openly licensed recording of it, so there is nothing to compare here.

      Step 4

      Ring

      chikari ‘Pa’ upper ‘Pa’ played ‘Pa’ metal bowl, on sarods that have one sympathetic strings run under the playing strings

      Sources

      Inside the sarod

      How long a note lasts

      Sources

      Level over time, each line against its own loudest moment. Computed from the two recordings. The gold line is a different sarod in a studio; the dashed line is her ‘Sa’, cut where her next stroke begins.

      Hear it live

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